I’m at work on something very interesting—at least to me, a percussionist and composer who works in TV: I’m composing a percussion-only score for a webseries. But…
• It’s probably not going to be the only music used in the series, just some custom music to be used at the right times.
• It’s not a fully custom score to picture. The creator/producer of the webseries wanted an all-percussion main theme, and liked several of the options I gave him enough to ask if he could use some of this as score within the episodes. This turned into the idea of a modular score, which I delivered to him in parts and he could edit together as he needed. As he is a DIY kind of guy with a very DIY project, I thought he might enjoy the freedom to craft his own soundtrack.
I’m very curious to see how this turns out. I’ll try to remember to post again here once I see he’s got some of these tracks in use.
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I made use of Sibelius’ video feature here—recorded the sticks first, in ProTools, with a click track on, then mixed that down and imported it into Sibelius, where I composed the rest of the parts synced to this audio track. Audio playback was a little skittish but generally it worked well. Then I exported an audio track for each instrument, brought those back to ProTools, added some reverb and did some mixing. I outputed lots of choices, from 8-bar loopable grooves to little “a la carte” percussion stings and impacts. He’s going to have to be a little careful with his use of these “modular score elements,” as I’ve been calling them, listening at the out-points and probably using some little one-frame fades at the end. But overall I feel pretty good about this.
It should be interesting, at least!
Anyone else ever approached a score this way?