I am lucky to have the privilege of recording walla for The Cleveland Show here, in our in-house recording studio. Our supervising sound editor, Bob Newlan, comes to direct, and the loop group remains largely consistent from one episode to the next. The five actors gather around our four microphones (two of them double up on one) and we record them relatively close-mic’d.
We record all parts to one track, so I mix on the fly, though the actors are generally great about balancing the ensemble themselves like musicians in an orchestra.
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For some neat insight into the world of loop groups, here’s an article on backstage.com.