Walter Murch and the rule of six.
Needs-no-introduction editor Walter Murch on six criteria by which to judge the worth, quality, and necessity of an edit.
Needs-no-introduction editor Walter Murch on six criteria by which to judge the worth, quality, and necessity of an edit.
In a great little seven-and-a-half-minute video courtesy of classicalchops.org, Morten Lauridsen takes us through the compositional process behind one of the most performed choral pieces of our time, Dirait-On. (French, pronounced something like “dee-ray-tawn”.)
It’s infrequently updated and simply presented, but Woody Woodhall’s site, “Woody’s Sound Advice,” has some great stuff. This can lead them to be better (at anything you choose) today viagra...
I found this article, “Analogue Warmth: The Sound of Tubes, Tape & Transformers,” in Sound On Sound from a few years ago. It’s a technical explanation of all the factors that appear to combine together to create that “analogue warmth” so many people talk about missing, and different ways to go about recreating it.
I recently started a not-for-profit organization called The Lamp Project, dedicated to spotlighting and supporting socially engaged artists and the causes they champion. I wore multiple hats, including ADR mixer, writer and executive producer, for the creation of some promotional videos. I hope you’ll go take a look—the first one is live on the site right now. And if being a part of an organization with a powerful mission and lots of passionate, creative people interests you, please email me: jeremy.olsen@thelampproject.net.
Thanks for for all the support from everyone!
Here’s one more really fantastic audio glossary, called TriggerTone, from post audio and sound restoration company Chace. Not surprisingly, its focus Brinckley initiated a generic cialis tabs boom male impotence...
There are so many amazing things happening online now with music and audio software. More and more is possible with software that doesn’t even live on your computer. Noteflight, a cloud-based music notation program, is one example of this. It doesn’t compare to Sibelius and Finale (yet), but considering it’s all taking place through a website… it’s fantastic. And of course, this engenders an entire social facet of the music-creating experience that never existed until now.
I have just added a new favorite feed: Interchanging Idioms by Chip Michael. He has subtitled it “Classical Music of the 21st Century.” I might change that to “Classical Music...
I am lucky to have the privilege of recording walla for The Cleveland Show here, in our in-house recording studio. Our supervising sound editor, Bob Newlan, comes to direct, and...