I started a record label.
I’m launching a micro-indie record label and I could really use your help!
Game jam #3: cybernetic bunnies and killer veg
A bit on music audio implementation via Fmod and Unity in bullet hell video game Hare Runner, where as a cybernetic bunny you hunt the last remaining veggies.
One last bit of Game Sound Con wisdom…
No matter how great a thing you think you can make on your own, you will always be able to achieve even more when you’re a part of the right team.
Your sound design reel won’t buy you a beer.
Time for another inspirational big-idea reminder from Game Sound Con, something I used to struggle with myself: your skills and expertise can’t hire you.
A proxy system for testing music intensity levels
I wanted a simple way to experiment with interactive scores, implemented in Unreal and Wwise, that allows for things like changing combat intensity levels without actually having to build a game with NPC enemies, AI, etc.
So: a proxy system.
Urgency of now
I had a total blast at GameSoundCon 2022. Just a quick post to share a favorite bit of wisdom from those two days.
dialogue/ADR recording / music / music for games / projects / sound / sound design / sound for games
Play another awesome video game made in 3 days
I was audio lead on the Sleepy Donut team for another Ludum Dare game jam. A 3rd place in audio out of almost 2,000 submissions? We’ll take it!
#7daysofVGM take two: a different approach
For my second #7DaysOfVGM Composition Challenge, I treated all seven little pieces of music I wrote as if they were all part of the same video game score.
Achievement unlocked: work on a chart-topping album.
I have now contributed to a chart-topping album. (Cue my expression of dumbfounded shock.) I supervised the creation of the skits on R&B singer Brent Faiyaz’s album Wasteland.